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Musical Kitsch
ŠOJSLOVÁ, Lucie
Based on the theoretical studies of the aestheticians dealing with the issue of kitsch, this bachelor thesis entitled "Musical kitsch" focuses on the general characteristics of kitsch, the explanation of the key concepts related to its issues, and the subsequent application of the above-mentioned to music. However, not to music in general, but to classical music, which is generally considered high art, and in which the elements of kitsch are not expected. Kitsch takes its place in many artistic fields. Did he find a passage into classical music?
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Personality of the music theorist and pedagogue Ondřej Bednarčík (1929-1998)
Pobucká, Tereza
The thesis presents the life story and professional growth of Ondřej Bednarčík, a musician theorist and pedagogue from Ostrava, who lived between 1929-1998. The profile features of this big name of music crystallized pursuant to the analysis of Bednarčík's pedagogical, scientific, research, educational and musical activities. As far as Bednarčík's main scientific interests are concerned, attention is paid to contemporary Polish music, listening to New Music, musical and didactic issues of 20th century music, whilst focusing on the teaching of musical and theoretical subjects and, finally, to two distinct personalities - composer Bogusław Schaeffer and his colleague Professor Josef Schreiber, who strongly aided in the shaping of Ondřej Bednarčík in his scientific research and human approach. The thesis is divided into the following eight chapters. The first one is dedicated to the current state of the research on the personality of Ondřej Bednarčík, with main and partial goals, methodological principles, used research methods and processing of Bednarčík's written inheritance. The second section introduces us to Ondřej Bednarčík's life story, musical interests and activities. The third chapter describes Bednarčík's pedagogical and organizational activities in music schools and college environments....
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Personality of the music theorist and pedagogue Ondřej Bednarčík (1929-1998)
Pobucká, Tereza
The thesis presents the life story and professional growth of Ondřej Bednarčík, a musician theorist and pedagogue from Ostrava, who lived between 1929-1998. The profile features of this big name of music crystallized pursuant to the analysis of Bednarčík's pedagogical, scientific, research, educational and musical activities. As far as Bednarčík's main scientific interests are concerned, attention is paid to contemporary Polish music, listening to New Music, musical and didactic issues of 20th century music, whilst focusing on the teaching of musical and theoretical subjects and, finally, to two distinct personalities - composer Bogusław Schaeffer and his colleague Professor Josef Schreiber, who strongly aided in the shaping of Ondřej Bednarčík in his scientific research and human approach. The thesis is divided into the following eight chapters. The first one is dedicated to the current state of the research on the personality of Ondřej Bednarčík, with main and partial goals, methodological principles, used research methods and processing of Bednarčík's written inheritance. The second section introduces us to Ondřej Bednarčík's life story, musical interests and activities. The third chapter describes Bednarčík's pedagogical and organizational activities in music schools and college environments....
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Arcangelo Coreli Oprara Quinta
Kuncl Štillerová, Martina ; ŠTRAUS, Ivan (advisor) ; ČEPICKÝ, Leoš (referee)
Diploma thesis is focused on the personality of the Arcangello Corelli and his contribution on the field of musical forms and violin. Work is divided into three chapters. In the first chapter I describe Arcangelo Corelli ´s life in a historical context.In the second chapter I focus on musical forms whose development contributed Corelli and I also give a concentration on individual works. The third chapter is devoted to the field of issue of the ornamentation of 17th and 18th century as well as Corelli´s fifth opus, which is an indispensable source of knowledge to period - style ornamentation.
I hope this work will serve as a source of information not only about extraordinary composer, but also contribute to clarify the issue of ornamentation of 17th 18th century which is still an area somewhat elusive for many musicians.
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DANCE AS A MUSICAL FORM IN THE FRENCH SUITES OF J. S. BACH
Waldaufová, Marie ; MRÁZKOVÁ, Giedre (advisor) ; BERNOVSKÝ, Vojtěch (referee)
The thesis titled Dance as a musical form in the French suites J. S. Bach thematically follows the bachelor thesis entitled Saraband like a dance in baroque harpsichord literature (with a focus on French Suites by J. S. Bach). It deals with the connection between dance and music form.
The first chapter is an overview of the socio-cultural aspects in France during the reign of Louis XIV. Other chapters are devoted to individual Baroque dances, allemande, courante, corrente, gavotte, minuet and gigue. In addition to the history of dance is here described its baroque dancing form, charactical traits and overview of dance steps, which are often preffered in its baroque choreography, then part of the chapter focuses on the transformation of dance forms in stylized instrumental piece.
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Vocal symphonies by Vladimír Sommer and Miloslav Kabeláč
Trojan, Pavel ; RIEDLBAUCH, Václav (advisor) ; FILAS, Juraj (referee)
This master thesis focuses on genre of vocal symphony ("choral symphony"). In the
first chapter general definition of genre is aimed to be determined in both historical
and semantical aspects. Special attention is paid to the role of vocal symphony in
symphonic legacy of particular composers. Focus of the work lies in music analysis
of two major compositions of two Czech composers of the second half of the 20th
century. Vocal Symphony by Vladimír Sommer and Eight symphony ?Antiphons? by
Miloslav Kabeláč. Scope of research is to evaluate use of vocal elements in the
symphonic form and how it affects intended musical statement.
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